Search results for " Italian reception"

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La obra de Galdós en las traducciones italianas

2020

From the translation of Marianela (1880), the Italian reception of the works of Benito Pérez Galdós through translations does not present a very satisfactory situation, but rather uneven, especially if we take into account the production of contemporary translations to the Canarian writer or in the decades immediately after his disappearance, with some emblematic cases of manipulation with a very partial and censored translation such as that of Fortunata e Giacinta (1926), framed in the Fascist Ventennio, although it was the first translation into a foreign language of the Galdosian masterpiece. This study aims to recover and organize the panorama of translations into Italian of Galdós's na…

Benito Pérez Galdós Italian reception Fortunata e Giacinta Italian translations
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Traducción y recepción: Rosalía de Castro en Italia

2020

El panorama de la recepción italiana contemporánea de los poetas españoles del siglo XIX, a través de las traducciones, no resulta especialmente satisfactorio, puesto que hay que esperar el siglo siguiente para encontrar los primeros estudios monográficos y ediciones de textos en traducción, aunque en forma antológica. Ello, no obstante, así como en el resto de Europa, el corpus de las publicaciones periódicas de las revistas ofrece un canal editorial muy proficuo para la recepción de textos literarios extranjeros. Este trabajo se centra en la presencia de la obra de Rosalía de Castro en la prensa italiana contemporánea. Al mismo tiempo, se ha intentado completar el estudio de la recepción …

The panorama of the contemporary Italian reception of the Spanish poets of the 19th century through translations is not particularly satisfactory since it is necessary to wait for the following century to find the first monographic studies and editions of texts in translation although in anthological form. However as in the rest of Europe the corpus of periodicals of magazines offers a very profitable editorial channel for receiving foreign literary texts. This work focuses on the presence of Rosalía de Castro's work in the contemporary Italian press. At the same time attempts have been made to complete the study of the reception of the Galician poet in Italy collecting traces in other editorial products such as the book. The consequent analytical focus will correspond to the transnational study of some proto and meta texts individualized by their special interest.
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